Protagonist and Antagonist • Who they are and how to write them
Defining the relationship between your protagonist and antagonist will be one of the centerpieces of your storytelling, so let's take a look at how. Today, we'll study the protagonist-antagonist relationship as part of our ongoing series Developing Themes In Your Stories. This post also. The subtext of these four principles is this: There is a narrative connection between the Protagonist and the Antagonist (I prefer the term.
I find this is often the case in coming-of-age films. After all, common antagonists in the lives of our youth — parents, teachers, other wily young people — are not always out to get them.
Sometimes they just want to help and are thoroughly misunderstood. So what makes them work? At first, Scott Smalls the lead has to overcome his own inability to play baseball, which is mocked by his peers and unaddressed by his busy stepfather, who refuses to make time to teach him.
He might not be capable of such an act, as we learn at the end, but they are still deathly afraid of this dog — which significantly raises the stakes. I highly doubt the bus driver is trying to be late to my stop.
The Protagonist/ Antagonist Relationship
Instead, can the opposition be circumstantial — and still carry as much weight? By circumstantial, I mean that the antagonist happens to be in the way of the protagonist, and vice versa. Such a relationship might include father and son, such as in Dead Poets Society.
Neil Perry, for all intents and purposes, is going to be the protagonist in my assessment here. And as for it being Mr. Keating, while the film is about his class, it follows the story of the students more closely, not the teacher. He insists Neil stick strictly to his scheduled courses in order to pave the way for his becoming a doctor, not allowing Neil to even audition for a play — let alone star in it which he does.
Give them a purpose As the main character of your story, your protagonist needs a reason to do what they do in the scope of the story — whether shallow or profound, they need a motivation or several to set the story in motion.
The Protagonist/ Antagonist Relationship – Gideon's Screenwriting Tips: Now You're a Screenwriter
For many years, Frodo lived uneventfully in the Shire. That is, until he is given a purpose: His mission is the starting point of his adventure and what set the events of the Lord of the Rings into motion.
A compelling protagonist must be complex and have flawslike any other person. Their flaws can become one of your most powerful allies because they can — and should!
Is your protagonist too trusting?
These are only a few of the many flaws that can get your character into a lot of trouble, and ones they need to overcome throughout the story. Don't be afraid of making them unusual If your story has a non-traditional protagonist, show their importance in the story through their interactions with other secondary characters. In novels that follow many different characters and families throughout centuries of history, such as London or Paris, the ever-present constant is the city itself.
New Line Cinema How to write a good antagonist 1. Give them a purpose and backstory Why does your antagonist want to foil the protagonist?
Protagonist and Antagonist: Writing the Perfect Rivalry
What is their ultimate goal? Just like your protagonist, your antagonist also needs a motivation.
They need to have a backstory so that their motivation is believable and legitimate. Magneto, from the X-Men series, is the antagonist of the story.The Dark Knight — Creating the Ultimate Antagonist